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The Chalemie Summer School - at Easter

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Friday, 5 April 2019 to Wednesday, 10 April 2019
Barbara has many years of experience in baroque dance, both as performer and choreographer, as well as teacher. She has taught in Europe, the Baltic Countries and Australia, in addition to courses in the UK. Her approach to baroque dance teaching is to exploit the theatrical aspects -- to make the dances come alive as if part of a real drama. As well as dance, she has given courses in baroque gesture for singers. Early ballet training was interrupted by university, but after completing post-graduate studies at London University (she holds a PhD in Psychology from London University, LSE), she resumed her life-long interest in dance, with studies of the Baroque and Renaissance repertoires at the Guildhall School of Music and Drama. She has also studied with Irene Ginger and Francine Lancelot in Paris and with Angene Feves in the USA. In 1985 she formed the company Contretemps, specialising in the reconstruction of 18th century dance theatre. With Sara Stowe and Matthew Spring (of Sirinu) she formed Chalemie in 1995 with the aim of extending this work to a wider audience and with a more varied repertoire. She has performed and taught (both dance and baroque gesture) throughout Europe, the Baltic States and Australia, as well as at many festivals, stately homes and theatres in the UK. She has collaborated with and toured for the Early Music Network and the British Council. In addition to her work with Contretemps, she is a frequent performer with other groups, both in the UK and abroad. She was a founder member of the European Early Dance Company, based in Berlin, and was co-choreographer and performer in their reconstruction of the Mozart ballet “Les Petit Riens”. She choreographed and danced in Purcell’s “The Fairy Queen” in Riga (a project organised by the Riga Early Music Centre). She has performed with many early music ensembles, including the New London Consort, Tragicomedia, Midsummer Opera, Cambridge Handel Opera Group, Rejouissance, Sirinu and Collegium Musicum Riga. With her group Contretemps she staged small scale entertainments of dance, song, and commedia for visitors to Hampton Court. She was also involved for 5 years in work for a company specialising in historical reconstructions for the Royal Palaces. This involved the choreographing of period recreations of social dances from the 17th and 18th centuries. She has also acted as advisor to several theatre groups requiring choreography for period plays, and has choreographed for films on TV. Barbara holds regular workshops in baroque dance - both beginners/elementary and intermediate/advanced, on Sundays in central London. Source: http://www.thorn.demon.co.uk/Segal.htm

Barbara Segal

+ 44 (0)20 7700 4293
3 Thornhill Square
N1 1BQLondon
United Kingdom

From Friday 5th April to Wednesday 10th April 2019 Chalemie will hold its 21st Summer School in Early Music, Dance, Period Costume Making and Commedia. Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.

The course this year will be held once more in the delightful surroundings of Headington School, in beautiful old buildings just a mile from the centre of Oxford and situated in 22 acres of parklands, gardens and woodland.

The Chalemie Summer School is for everyone interested in performing music, song, dance or commedia, or any combination of these, together with period costume making. While its focus is on the 17th/18th centuries, it is not restricted to this period alone.

Timetable

The course will be held over six days (five nights), beginning with registration at from 12.00 noon to 2.00 pm on Friday 5th April, and ending after lunch on Wednesday 10th April.

Mornings will start with a group class (which we hope all will want to attend!). This will be a warm-up session in which we will explore movement and presentational skills. In particular, the relationship between music and movement, along with the expression of music in physical form, should help both dancers and musicians to improve their performance. These sessions will be based partly around some of the fundamental routines and physical exercises that lie behind the ancient art of Commedia dell' Arte.

The timetable is intended to be fairly flexible in allowing participation in a variety of activities. Mornings (plus Saturday afternoon) will be allocated to formal courses in the chosen primary study sessions. Other afternoons are less formal and provide an opportunity to explore new areas as secondary studies, to continue with your primary study, or simply to do your own thing. Evenings are completely informal, but a variety of entertainments and activities have been arranged for all participants wishing to take part, including: a barn dance, a lecture/performance by Chalemie and a party/concert.

To encourage students to think of performance in theatrical terms there will be a concert on the final evening with an opportunity to present short pieces worked on during the course.

More information

 

Level: 
Period: 

Playford

Dances from John Playford

Costumes

Allthough not beeing a dance period, it relates to early dance ...


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