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Fontenay-le-Comte
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10e Académie Européenne de la Compagnie Outre Mesure
Saturday, 18 October 2014 to Saturday, 25 October 2014
Venue:
Français
Née en Espagne, Ana Yepes vit à Paris. Diplômée du Conservatoire Supérieur de Musique de Madrid, elle suit des cours d’analyse et d’harmonie avec Nadia Boulanger à Paris et au conservatoire de Fontainebleau, puis se spécialise en musique ancienne au Conservatoire Royal de La Haye. Elle obtient le diplôme "Early Dance Teacher" de la Guidhall School of Music de Londres, un DEUG de danse à la Sorbonne (classe de Francine Lancelot), et suit des stages d’interpr étation avec Shirley Wynne, Francine Lancelot, Barbara Sparti et Andrea Francalanci. Parmi ses propres créations se trouvent : Donaires (2004), spectacle sur la danse baroque espagnole, de l'époque de Cervantès, Les Danses du Roi (2003), spectacle de danses baroques françaises de la Cour de Louis XIV, Fantaisie pour trois danseurs et une table (2002), pièce de danse contemporaine, Dialogues avec mon père (1999), pièce de danse contemporaine en hommage à Narciso Yepes, et Zarandanzas, ballet sur la danse baroque espagnole et française, avec une partie contemporaine qui souligne le lien entre ces styles. Avec William Christie et Les Arts Florissants, elle fait la mise en espace et la chorégraphie de plusieurs programmes : King Arthur (Purcell), Le Bourgeois Gentilhomme (Molière et Lully), Les Plaisirs de Versailles et Orphée aux Enfers (Charpentier), et Madrigaux (Monteverdi), ainsi que la mise en scène et la chorégraphie de Les Pèlerins de la Mecque (Gluck). En tant qu’interprète et chorégraphe, elle collabore avec des structures comme l'Opéra Royal de Covent Garden, l’Opéra National de Paris, l’Opéra de Montpellier, Le Théâtre de Caen, l'Opéra Royal de Copenhague, le Grand Théâtre de Genève, le New York City Opera, la Compañía Nacional de Teatro Clásico de Madrid, entre autres, ainsi qu'avec différentes compagnies : Hémiole, Le Trio Yepes, Ris et Danceries, Les Arts Florissants, Andanzas, compagnie qu’elle a créee en Espagne. Elle est membre permanent du Trio Narciso Yepes, spécialisé en musique et danse ancienne espagnole. Elle enseigne la danse baroque et renaissance en France, en Espagne, en Grande-Bretagne, au Portugal, en Suisse, en Argentine, au Chili et au Japon.
Deutsch
Ana Yepes fand während ihrer Ausbildung zur Blockflötistin zum historischen Tanz. Prägend waren für sie ihr Studium bei Francine Lancelot und ihre eigenen Forschungen im Bereich des spanischen Barocktanzes. Ihre internationale Kariere als Tänzerin begann in den Ensembles „Ris et Danceries“ und „Hémiole“. Es folgten eine Vielzahl von Auftritten und Bühnenproduktionen als Tänzerin und Choreographin mit führenden Barockmusikspezialisten wie William Christie, Philippe Pierlot, Gabriel Garrido u.a., sowie mit ihrem eigenen Ensemble, der Ana Yepes Dance Company. Seit vielen Jahren unterrichtet sie auch als gefragte Tanzpädagogin in ganz Europa.
Spanish
Nacida en España, Ana Yepes vive actualmente en París. Diplomada por el Conservatorio Superior de Música de Madrid, recibe clases de análisis musical y de armonía con Nadia Boulanger en París y en el Conservatorio de Fontainebleau, especializándose más tarde en música antigua en el Conservatorio Real de La Haya. Obtiene el diploma "Early Dance Teacher" de la Guidhall School of Music de Londres, el Diploma de Danza en la Sorbona (bajo la cátedra de Francine Lancelot), y recibe cursos de interpretación con Shirley Wynne, Barbara Sparti y Andrea Francalanci. Realiza sus propias creaciones, entre ellas: Destellos Barrocos (2007); Fiesta (2005), espectáculo de música y danza barroca de América del Sur; Donaires (2004), espectáculo de música y danza barroca española; Les Danses du Roi (2003),… así como ballet sobre la danza barroca española y francesa en el siglo XVII. Como coreógrafa participa en diversas óperas, espectáculos de danza, comedias y obras de teatro junto a destacados directores de escena. Con Les Arts Florissants y William Christie hace la puesta en escena y la coreografía de varias producciones, en giras por Europa y America. Colabora como intérprete y coreógrafa en diversas formaciones e instituciones Enseña la danza barroca y renacentista en Francia, España, Italia, Alemania, Gran-Bretaña, Portugal, Suiza, Argentina, Chile, Estados Unidos, Canadá y Japón.
English
Cécilia Gracio-Moura studied at the National Conservatory of Lisbon. She holds the diplomas of Baroque Dance from Dolmetsch Historical Dance Society,the Master's degree of Contemporary Dance of the University of Paris-St-Denis and the DEA Diploma of Musicology of the University of Paris-Sorbonne. She has danced with the dance companies Ris et Danceries, L'Eclat des Muses, and L'Eventail, as well as in productions of les Jeunesses Musicales de France and the Académie de Danse Ancienne de Lisbonne. She is a member of the Théâtre Baroque de France directed by Marie-Geneviève Massé. She has been invited as choreographer for the Baroque Festival of Budapest. Currently teaching baroque dance at the Conservatory Erik Satie of the 7th Arrondissement of Paris and at the Conservatory CNR of Metz, she directs many workshops for dancers and musicians in France, Italy, United States, Poland and Portugal.
Français
Cecilia Gracio Moura a accompli son cursus musical au Conservatoire
National de Lisbonne. Titulaire d’un diplôme de professeur de Danse Baroque de la Dolmetsh Historical Dance Society, d’une maîtrise en danse contemporaine (Paris - Saint Denis) et d’un DEA en musicologie (Paris - Sorbonne), elle se forme en danse renaissance auprès de la compagnie Maître Guillaume. Elle a dansé dans les compagnies Ris et Danceries, l’Eclat des Muses, L’Eventail, Outre Mesure. Elle enseigne dans les conservatoires parisiens, à l’Université de Reims et à l’Académie de Woluwe - Saint - Lambert (Bruxelle) et dirige de nombreux stages pour danseurs et musiciens dans le monde entier.
GLORIA GIORDANO – RESUME
She has a degree in Pedagogy and graduated from the National Academy of Dance in Rome, where she has taught Dance Theory from 1986 to 2004.
Furthered her study of Renaissance and Baroque Dance in France and America abroad with, among others, Christine Bayle, Angene Feves, Francine Lancelot, Barbara Sparti, Ana Yepes. She performs regularly with Italian and foreign companies active in this field, and has participated in numerous festivals in Italy and abroad. Her present activities and professional interests include research, interpretation of original manuals of the period, and choreographic reconstruction, staged productions of historical music and dance. She has created choreography for operas, collaborating with, among others, the directors Stefano Vizioli, Vera Bertinetti and Domenico De Martino.
Participates in international conferences, publishes essays in specialized journals including “La danza italiana”, “Chorégraphie”, “Dance Chronicle”, “Dance Research”, in collected works and edit headings for Dizionario Biografico degli Italiani Treccani. She has been invited to host theoretic-practice conferences on the dance of the XVI-XVIII century at various Music Conservatories, in Italy and abroad (among others: Roma, Frosinone, La Spezia, Lipsia, Mosca). Teaches historical dance at dance schools and musical associations, since 2001 directs the Laboratory of historical dance in Rome Corti in Festa, and since 2003 teaches French dance of the seventeenth and eighteenth century to the International Early Music Course in Urbino.
In 2005 edited the publication in facsimile of the manuscript Balletti of Gaetano Grossatesta (Venice, 1726), for Libreria Musicale Italiana (L.I.M.).
www.gloriagiordano.it
CURRICULUM DI GLORIA GIORDANO
Laureata in Pedagogia si è diplomata presso l’Accademia Nazionale di Danza, dove è docente di Teoria della danza dal 1986 al 2004.
Si è perfezionata nello studio della danza rinascimentale e barocca in Francia e in America con maestri di fama internazionale, tra i quali: Christine Bayle, Angene Feves, Francine Lancelot, Barbara Sparti, Ana Yepes. Co-fondatrice, nel 1985, della “Compagnia di Danza La Follia” (dir. F. Sparapani, Firenze) con la quale ha collaborato per dieci anni, nel corso della sua attività è stata invitata a danzare nelle compagnie italiane e straniere attive nel settore, esibendosi in numerosi festival in Italia e all’estero. Si dedica alla ricerca, all’interpretazione dei manuali dell’epoca e alla ricostruzione coreografica, realizzando spettacoli di musica e danza antica, in collaborazione con affermati solisti e ensembles specializzati nel repertorio rinascimentale e barocco.
Ha firmato coreografie per il teatro d’opera, collaborando tra gli altri con i registi Vera Bertinetti, Domenico De Martino e Stefano Vizioli. Ha curato le coreografie per la prima esecuzione di opere mai rappresentate in Italia quali The Devil and Daniel Webster di Douglas Moore e Casanova's homecoming di Dominick Argento con la regia di Stefano Vizioli. Ha composto coreografie per balli e spettacoli operistici di epoca pre-barocca e barocca, tra cui: Chi soffre speri (C. Mazzocchi, V. Marazzoli), Il Ballo delle Ingrate (C. Monteverdi), Acis e Galathea e Terpsichore (G.F. Händel), Dido and Aeneas (H. Purcell).
Partecipa a convegni internazionali, pubblica saggi in opere collettive e su riviste specializzate fra cui “La danza italiana”, “Chorégraphie”, “Dance Chronicle”, “Dance Research”, e cura voci per il Dizionario Biografico degli Italiani Treccani.
È stata invitata a tenere conferenze teorico-pratiche presso Università e Conservatori di Musica in Italia e all’estero (tra gli altri: Roma, Frosinone, La Spezia, Lipsia, Mosca). Docente di danza antica presso scuole di danza e associazioni musicali, dal 2001 dirige il Laboratorio di danza antica Corti in Festa di Roma e dal 2003 insegna Danza Francese del XVII e XVIII secolo al Corso Internazionale di Musica Antica di Urbino.
Nel 2005 ha curato la pubblicazione in facsimile con cd rom, del manoscritto dei Balletti di Gaetano Grossatesta (Venezia, 1726) per la casa editrice Libreria Musicale Italiana (L.I.M.).
www.gloriagiordano.it
L’ambition de cette 10e Académie Européenne de la Compagnie Outre Mesure consacrée à l’Art Ménétrier, aux arts ingénieux et aux répertoires de chants, des instruments & des danses des XVe au XVIIIe siècles est d’aboutir à la réalisation d’un bal, de concerts ballés et de mascarades.
Pour y parvenir, vous serez encadrés par une quinzaine d’artistes professionnels spécialisés. Leurs pratiques chorégraphiques, musicales, vocales, instrumentales et de lutheries puisent leurs sources dans les répertoires des époques du haut Moyen-âge, de la Renaissance et du Baroque.
L’approche sera triple. En effet, outre l’enseignement spécifique pour approfondir votre discipline de prédilection et l’abord de la corrélation de la musique et de la danse par une pratique de ces deux arts lors d’ateliers musicaux et chorégraphiques, notre proposition consiste également à vous permettre tout au long de la semaine d’apprécier, de découvrir et de vous ouvrir à des esthétiques, se rejoignant en certains points et se complétant, et des répertoires allant du XVe au XVIIIe siècle.
Danses (niveaux différents par discipline)
Cours collectif Danses de la Renaissance française (niveau débutant), avec Cecília Grácio Moura
Apprentissage du répertoire de base transmis par l'Orchésographie de Thoinot Arbeau : branles (doubles, simples, coupés, morgués…), bassedanses, allemandes, pavanes et gaillardes ; en lien avec la construction et l’interprétation musicale des danseries.
Danses de la Renaissance française (niveau intermédiaire et avancé), avec Robin Joly
Révision et approfondissement du vocabulaire transmis par Thoinot Arbeau. Apprentissage de chorégraphies originales de Robin Joly : ballets, branles, pavanes, passemaizes, gaillardes, gavottes... Pratique de l’improvisation dans les gaillardes et les gavottes.
Danses italiennes du XVe et XVIe siècle (niveau débutant), avec Gloria Giordano
Initiation à la danse italienne des XVe et XVIe siècle. Apprentissage des pas de base, d’enchaînements typiques, de style dans les quatre types de danse du XVe siècle (Bassadanza, Quaternaria, Saltarello et Piva) et du XVIe siècle (Pavana, Gagliarda, Saltarello, Canario), de répertoire de Balli et Bassedanze de Domenico da Piacenza et de Guglielmo Ebreo da Pesaro et de Balli et Balletti de Fabritio Caroso et Cesare Negri.
Danses italiennes du XVe et XVIe siècle (niveau intermédiaire et avancé), avec Gloria Giordano
Cet atelier est ouvert à ceux qui ont déjà une connaissance de ces styles de danses ou ayant un niveau intermédiaire ou avancé en danse ou dans une discipline liée au mouvement. Travail sur les pas, les enchaînements typiques, les styles et les répertoires de Balli et Bassedanze pratiqués en Italie au XVe siècle (Bassadanza, Quaternaria, Saltarello et Piva), d’après les sources de Domenico da Piacenza et de Guglielmo Ebreo da Pesaro, et les répertoires de Balli et Balletti du XVIe siècle (Pavana, Gagliarda, Saltarello, Canario), d’après les sources de Fabritio Caroso et Cesare Negri.
Danses espagnoles du XVIIe siècle (niveau intermédiaire et avancé), avec Ana Yepes
Cet atelier est ouvert à ceux et à celles ayant déjà une connaissance de ce style de danses ou ayant un niveau intermédiaire ou avancé en danse. Travail sur les styles de danse pratiqués en Espagne au XVIIe siècle, d’après les traités de Juan Antonio Jaque et Esquivel de Navarro et Gonzalez. Apprentissage et pratique des pas de base et de quelques variations de Folías et de Jácara, ancêtres de la Loure et de la Sarabande. Nous abordons ainsi un style académique et théâtral avec Folías, et un style populaire, plus proche du Flamenco avec Jácaras.
Ceux qui ont des castagnettes, merci de les apporter. La jupe est bienvenue.
Pour ceux qui suivent l’atelier de danse française du XVIIIe, nous effectuerons une comparaison des pas communs entre les deux styles.
Contredanses anglaises et françaises de Feuillet, Dezais et Playford, avec Cecília Grácio Moura
La première heure de cours sera consacrée à des contredanses de niveau débutant. Pendant la deuxième partie, nous travaillerons des contredanses de répertoire français et anglais demandant une connaissance des pas de base de la danse baroque ainsi que des figures des contredanses anglaises. Voici quelques danses proposées : L'Italienne, La Bouffecotte, La Bacchante, La Matelote, The Parson's Farewell, The Scotch Mesure.
Danses françaises du XVIIIe siècle (niveau intermédiaire et avancé), avec Ana Yepes
Cet atelier est ouvert à ceux et à celles ayant déjà une connaissance de ce style de danses ou ayant un niveau intermédiaire ou avancé en danse. Travail sur les styles de danse pratiqués en France au XVIIIe siècle, d’après les sources de la danse baroque française, Rameau, Feuillet et tant d’autres. Apprentissage de l’Entrée Espagnole pour une femme de Pécour, de l’Europe Galant de Campra ainsi que de certains extraits d’autres danses à l’Espagnole, comme Folies d’Espagne de Pécour et Feuillet, pour une femme et pour un homme et les 1ère et 2e Entrées espagnoles (Sarabande et Loure) de Pécour et Feuillet, pour une femme et pour un homme. Travail des pas français avec bras “à l’espagnole” et castagnettes, si souhaité.
Ceux qui ont des castagnettes, merci de les apporter. La jupe est bienvenue.
Pour ceux qui suivent l’atelier de danse espagnole du XVIIe, nous effectuerons une comparaison des pas communs entre les deux styles.
Period:
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Passi della tangielosa
Saturday, 1 November 2014
Venue:
A Workshop by Hazel Dennison, covering dances from the 15th century Italian repertoire
Cost: £20 per person
The workshop will cover material from the following dances all of which are from the 15thC Italian repertoire and are built around the concept of possession and jealousy:
- a. SOBRIA a chivalric dance narrative in which a knight and his lady are pursued by four villains. Gestures of emotion and character are choreographed in with musical notation and textual detail. Ironically the lady emerges as the strongest protagonist.
- b. MERCANZIA, a balletto in which a lady brazenly initiates a dancing relationship with three men in turn. Gestures occur at significant moments.
- c. TANGELOSA, a ballo for a couple who display contrasting patterns together and apart “in viso chome gelossi” with jealous glances and locked hands.
- d. GELOSIA a ballo for 3 couples whose rapid exchange of partners is punctuated by choreographed suspicious glances.
- e. LA GRAZIOSA IN TRE Two men and a lady challenge each other with steps specifically named “passi della tangielosa”.
- f. PREXIONERA a ballo of strongly contrasting mesure in which the man and the lady stalk one another in a cat and mouse game.
The course will run from 10:00 to 16:30. The hall will open at 9:30 on Saturday for tea and coffee.
Tea and Coffee are provided, but you will need to bring a packed lunch.
The Hall is roomy and has a good floor for dancing. It has plenty of parking and is only a short journey from the M4. The nearest railway stations are at Twyford and Wokingham. We can collect people from the station if requested in advance.
The address is: Hurst Village Halls School Road Hurst Berkshire RG10 0DR
You can find a map and directions here: http://www.hurstvillagehalls.org.uk/location.html
Period:
Quattrocento
Dances from the 14th century, e.g. Domenico di Piacenza
Type:
Workshop
A class is a session of an hour or two
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Stage de danse renaissance française et italienne
Saturday, 8 November 2014 to Sunday, 9 November 2014
Venue:
| Attachment | Size |
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 Plaquette-stage-novembre-2014.pdf | 1.16 MB |
Bassa Toscana L’association Bassa Toscana a été créée fin 2000. Elle a établi son siège à Auxerre, en Bourgogne, pour mettre en valeur le patrimoine et l’histoire de la région. Bien que les manifestations de Bassa Toscana restent distrayantes et du domaine du spectacle, le répertoire présenté fait référence a l’histoire, que les artistes ont le désir de respecter. Les costumes sont des reconstitutions de gravures du XVe et XVIe siècles. Quant aux danses, ce sont les traites de Negri, de Caroso et surtout de Thoinot Arbeau, chanoine de Langres («Orchésographie » , 1588 ) qui ont permis de retrouver les chorégraphies de la Renaissance. La rencontre avec Obsidienne et Compagnie permet aux chorégraphes de Bassa Toscana de participer aux créations de ce groupe musical (Ballades en balades, Fricassée de chansons, Le Jardin des Délices, Miracle et le Roman de Fauvel, Le Livre Vermeil de Montserrat, pour les fêtes de l’âne entre 2005 et 2010 ou encore, L’Amour de moy s’y est enclose, pour les festivals de musique ancienne de Nantes et du Haut Jura 2008). Bassa Toscana est également associée a d’autres ensembles musicaux tels que Perceval pour animer des bals Renaissance et des soirées de prestige. L’association a franchi les frontières de l’Allemagne avec les musiciens de l’Ensemble La Voilotte de Mannheim. La collaboration avec le CRD d’Auxerre a permis la création de spectacles dont « Deux pavanes pour un luth » et « Les preuves d’amour de Jehan » accompagnés par le groupe Les Meslanges du conservatoire. Les dernières créations de Bassa Toscana « A mon seul désir » et « Les 7 Péchés Capitaux » proposent des entrelacs de danse ancienne et contemporaine. La souplesse artistique et créative des chorégraphes confère a Bassa Toscana toute son originalité et toute sa faculté d’adaptation au thème de chaque spectacle. Le beau, l’émotion et l’humour contribuent toujours à l’élaboration des programmes, qu’ils soient purement narratifs ou allégoriques, ou simplement composés d’une suite de danses.
Bassa Toscana
06 74 36 51 48
23 rues des Grands Champs Laborde
89000AuxerreFrance
See map: Google Maps
- Teacher
- Performer
- Group
- Organizer
- Cinquecento
- Renaissance
- French Renaissance
- Medieval
Submitted by Bassa Toscana on 15 March 2010 - 11:26am
Du XVe siècle à la Renaissance, nous connaissons essentiellement la danse de cour. Bien danser, savoir chanter et jouer d’un instrument permettaient de tenir avec grâce et dignité son rang dans la société. La Renaissance en musique et en danse est caractérisée par l’introduction dans le registre courtois de formes et d’éléments populaires. C’est ainsi qu’une part importante est accordée aux rondes, facteur de convivialité et de cohésion sociale. Les traités du XVe siècle (Ebréo, Piacenza, manuscrit de Marguerite d’Autriche) et ceux du XVIe siècle (Negri, Caroso, Arbeau…) offrent les premières notations des pas et mouvements de danse.
Deux formules répondront aux besoins des stagiaires, débutants ou initiés:
- Les bases de la danse de la Renaissance française seront enseignées à chacun des stages suivant le répertoire de Thoinot Arbeau, ( branle double, branle simple, branle coupé, branle morgué, branle gay, gavotte, pavane, gaillarde et volte...).
- L’atelier chorégraphique s’attachera à l’étude du style et à l’expression esthétique des danses de la Renaissance italienne. La mise en espace du mouvement s’appuiera, soit sur des créations, soit sur des reconstitutions d’époque telles que:Chiara Stella, Mercantia, Celeste Giglio, basse danse Cupido, basse danse Reale, Leggiadra Marina, Spagnoletta.... et autres créations de Bassa Toscana
Level:
Type:
Workshop
A class is a session of an hour or two
Period:
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Jácara y Zarabanda son una mesma cosa
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Centro Superior Progreso Musical
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Formas Preclásicas de la Danza - I
Friday, 3 October 2014 to Friday, 3 July 2015
MARÍA JOSÉ RUIZ MAYORDOMO
Compositora, intérprete, pedagogo e investigadora: éstos son los aspectos de la personalidad compleja y polifacética de María José Ruiz, pionera y punto de referencia de la Danza Antigua Española, de la Historia de la Danza en España, y de la Coreología.
Desde su debut en 1973 fuertemente arraigada en la Cultura Tradicional, hasta las colaboraciones con Chanta la Mui o Andreucha Wadington en el día de hoy, su trayectoria coreográfica se caracteriza por una preciosa continuidad forjada sobre la base de la pasión y la curiosidad omniscente, que le han llevado a comparar, a través de la investigación, su patrimonio coreográfico Tradicional Autóctono -Castellano, Renacentista, Barroco y Bolero-, con la Danza Histórica francesa, borgoñona, inglesa e italiana.
Sorprende su tesis sobre el estilo, fácilmente reconocible, del arte coréutico español -arcaico y vanguardista a un tiempo-, así como la ampliación del vocabulario y la técnica de un lenguaje vernáculo que se conserva como parte de la herencia tradicional.
En perfecta simbiosis con su poética de la memoria, sus composiciones coreográficas, en lenguajes originales sin necesidad de falsas fusiones, resultan claramente reconocibles a través del riesgo de hacer hablar a los cuerpos lenguas arcaicas y nuevas, ampliando el registro de un instrumento -el cuerpo humano- que deviene experimental en una búsqueda espléndidamente contemporánea que la inscribe, por lirismo y virtuosismo, en el círculo de aquéllos que han profesionalizado y dignificado la Danza Tradicional y la Danza Histórica.
Su proyecto pedagógico ambicioso más inmediato: la dirección del Seminario Laboratorio “La Danza Española en la época barroca”, encargo del Ministerio de Cultura a través del Centro Nacional para la Difusion Musical, y que se celebrará en León (Centro de Músicas Históricas) durante el próximo mes de Julio.
Su proyecto de difusión más cercano: la conferencia que impartirá el proximo 29 de abril -Día Internacional de la Danza- en la Biblioteca Nacional de España (Museo del Libro) sobre El Libro de Danzar de D.Baltasar de Rojas Pantoja, la más conscpícua fuente coreográfica española del Siglo XVII.
Entre sus últimos trabajos destacan: la coreografía para el film LOPE DE VEGA a las Órdenes del director brasileño Andrucha Waddington; los espectáculos CALEIDOSCOPIO, estrenados en el Festival Internacional de Teatro Clásico de Almagro, y que han supuesto un hito en el festival, ya que es la primera vez que es invitada una Compañía de Danza Histórica para participar con espectáculo propio; la pieza denominada FOLIAS , para el espectáculo CHANTA LA MUI II. Complot y, por último, el diseño coreográfico para EL CANTO DE LA RANA , de José Sanchís Sinisterra.
Formadora de una generación de bailarines y pedagogos que trabajan en España, Italia, Francia, Bélgica, Japón... e imparten clase en los conservatorios Superiores de Música de Salamanca, Alicante, Musikene, y Conservatorios profesionales de Danza en Córdoba y Madrid.
Actualmente, es Profesora de Danza Histórica y Danza Tradicional en el Real Conservatorio Superior de Música de Madrid.
Formación y Experiencia Profesional
Máster Europeo en Artes Escénicas por la Universidad Rey Juan Carlos (Instituto Superior de Danza Alicia Alonso - Facultad de Ciencias de la Comunicación).
Fundadora y directora de ESQUIVEL (Danza & Música), compañía española decana dedicada al repertorio Histórico y Bolero.
Fundadora y directora coreográfica de la Asociación de Música y Danza Tradicional
Castellana ARRABEL.
Profesora de Danza Histórica y Danza Tradicional en el Real Conservatorio Superior de
Música de Madrid. Profesora Invitada en los Conservatorios Superiores de Danza de Valencia y de Málaga.
Estudió Danza Española en la Real Escuela Superior de Arte Dramático y Danza de Madrid, bajo la tutela de Mariemma, especializándose paralelamente en Danza Tradicional, y perfeccionando sus estudios con Victoria Eugenia, Paco Fernández, María Magdalena, Pedro Azorín y José Granero. Así mismo, estudió Música y Piano con Luisa Aguayo.
Formada en Danza Barroca Francesa desde 1986, dentro del entorno de Ris et Danceries (Dir: Francine Lancelot), ha tenido como maestras a Beatrice Massin, Irene Ginger, Ana Yepes y Françoise Dennieau. Barbara Sparti y Andrea Francalanci han sido sus formadores en Danza Renacentista italiana, y Carles Mas en Danza Renacentista francesa, entre otros.
Interesada en el campo de la Cultura Tradicional, dirige la sección coreográfica de la Asociación de Música y Danza Tradicional Castellana ARRABEL, con la que ha efectuado numerosos trabajos de recopilación coreográfica en la Comunidad de Madrid.
En 1986, comienza su investigación sobre Danza Barroca Española, y en 1988 es becada por el British Council of the Arts para efectuar trabajos de Reconstrucción en Londres. A partir de este momento, compagina y complementa las actividades de investigación, coreografía y pedagogía con una sólida formación teórica.
En las distintas facetas de Coreógrafo de Danza Histórica, Dirección Artística, Reconstrucción coreográfica, Investigación, Bailarina, Coreógrafo, Repetidor, Maestro de Danza y Movimiento Actoral, ha participado en más de 70 espectáculos diferentes, recorriendo toda la geografía española y más de 15 países de cuatro continentes.
Como intérprete coreográfica ha trabajado en España, Inglaterra, Israel, Italia, Rusia, y como Intérprete musical destacan la banda sonora de los films Goya en Burdeos y Lope de Vega.
Directora de la Compañía ESQUIVEL (Danza & Música), ha estrenado desde 1995 once espectáculos, que han obtenido una excelente crítica y acogida de público, recorriendo la geografía española y trabajando en importantes marcos históricos, Teatros, Auditorios, así como Festivales Internacionales de Música y Danza.
En su faceta de creadora coreográfica ha trabajado con músicos como Cristoph Coin, Eduardo López Banzo, John Tyson, José Miguel Moreno, Tomás Marco o Rolf Lislevand.
Con directores de escena como Miguel Narros, Gerardo Malla, Gustavo Tambascio, Adriano Iurissevich, Carlo Boso, Juanjo Granda, Ángel Alonso, José Luis Alonso de Santos, y con directores de cine como José Luis García Berlanga o Fernando Fernán Gòmez (Don Juan), Jose Luis García Sanchez (Lázaro de Tormes) y el ya mencionado Andrucha Waddington (Lope de Vega).
Es redactora de 153 voces del Diccionario de la Música Española e Hispanoamericana(Dirigido por Emilio Casares y José Lopez-Calo), de la Enciclopedia Cervantina (Dirigida por Florencio Sevilla), de 51 voces de danza de la Enciclopedia Universal Micronet, y de los dos capítulos dedicados a la danza desde La Edad Media hasta el Siglo XVIII, y durante el Siglo XIX en la Historia de los Espectáculos en España (Dirigida por Andrés Amorós y José María Díez Borque).
Ha escrito numerosos artículos sobre su trabajo de investigación y difusión de la Danza Histórica en España, Inglaterra, Italia y Venezuela (Revista Española de Musicología, Manuscr.Cao de la Universidad Autónoma de Madrid, Danzaluz de la Universidad de Zulia, Revista 415 de la Società Italiana de Musicologia, Early Dance News, etc), y ha participado en diversos congresos sobre Teatro, Música y Danza (Universidad de Salamanca, Sociedad Europea de Historiadores de la Danza, Jornadas de Escuela Bolera, Congreso de Folklore Andaluz, Congresos de la Sociedad Española de Musicología, Jornadas de Danza e Investigación…).
En el ámbito de la Pedagogía, ha impartido cursos de Danza Histórica en las Universidades de Tel-Aviv y Bar-Ilan (Israel), Salamanca, Oviedo, Almería, Alcalá de Henares, Complutense y Autónoma de Madrid, así como en los Conservatorios Profesionales de Danza de Alicante, Granada, Almería y Córdoba, Conservatorios de Música “Padre Antonio Soler” (El Escorial) y “Ángel Arias Macein” (Madrid), Real Academia de Bellas Artes de San Miguel (Tenerife) y Mary Ward Center (Londres).
Durante los años 2000-2003, ha impartido Notación Coreográfica en la Universidad Miguel Hernández, dentro del Título Propio de Danza Contemporánea.
- Costumes
- Teacher
- Performer
- Organizer
- Cinquecento
- Early Baroque
- French Renaissance
- Spanish baroque
- Baroque
- Costumes
Submitted by Maria José Ruiz on 31 March 2011 - 11:50pm
Type:
Period:
Level:
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Baroque and Historical Dance Classes
Saturday, 13 September 2014 to Saturday, 13 December 2014
Philippa Waite is well known as a performer and teacher of Baroque dance. She studied with Wendy Hilton and taught for her at the annual Baroque Music and Dance Workshops at Stanford University, USA. Philippa is currently guest teacher of Period Movement and Dance at the Royal Welsh College of Music & Drama, Cardiff, and the Bristol Old Vic Theatre School. She is Artistic Director of Consort de Danse Baroque and as such choreographs in the Baroque style for the company's productions; she also teaches, performs and gives lecture-demonstrations throughout the UK and abroad.
As a choreographer and reconstructor of historical dance, Philippa offers Period Movement and Dance workshops to schools, colleges, universities, conservatoires, musicians and theatre/opera companies, and is available as a consultant/choreographer for theatre, opera, television and film productions.
Consort de Danse Baroque is a historical dance company offering performances, lecture-demonstrations, school workshops, and an annual summer school held in Cardiff, South Wales, as well as regular classes in Baroque and historical dance around the UK and abroad.
Mobile +44 7976 374482
Philippa Waite
+44 29 2049 0680
62 Caer Castell Place
Consort de Danse Baroque
CF3 3PWCardiffUnited Kingdom
See map: Google Maps
Baroque Dance – 12th to Early 20th Century Dance with Philippa Waite
For general information about classes, please see our Information for New Students.
To receive regular e-mail updates about Philippa's classes, please join our mailing list. Alternatively, you can follow our updates by liking our Facebook page.
In addition to her regular classes, Philippa also teaches occasional workshops in the UK and abroad. If you are interested in hosting a workshop we also have information about inviting Philippa to teach.
The hall is located at the junction with Oakley, close to the University of Bath campus.
Bus routes: 18, 418, 20C and 20A
Saturdays, monthly, 10:45 – 3:30
Session 1: 10:45 – 12:45, all levels, beginners welcome
Session 2: 1:30 – 3:30, intermediate/advanced
Musicians may attend the morning session for free if they accompany the afternoon session.
Limited numbers. Please contact Philippa to discuss this.
Autumn Term 2014:
Saturdays, September 13th, October 11th, November 8th, December 13th
New students are welcome to join at any point during the term
and there is no requirement to attend every class.
Type:
↧
Historical Dance Classes – Cardiff
Wednesday, 10 September 2014 to Friday, 12 December 2014
Venue:
Philippa Waite is well known as a performer and teacher of Baroque dance. She studied with Wendy Hilton and taught for her at the annual Baroque Music and Dance Workshops at Stanford University, USA. Philippa is currently guest teacher of Period Movement and Dance at the Royal Welsh College of Music & Drama, Cardiff, and the Bristol Old Vic Theatre School. She is Artistic Director of Consort de Danse Baroque and as such choreographs in the Baroque style for the company's productions; she also teaches, performs and gives lecture-demonstrations throughout the UK and abroad.
As a choreographer and reconstructor of historical dance, Philippa offers Period Movement and Dance workshops to schools, colleges, universities, conservatoires, musicians and theatre/opera companies, and is available as a consultant/choreographer for theatre, opera, television and film productions.
Consort de Danse Baroque is a historical dance company offering performances, lecture-demonstrations, school workshops, and an annual summer school held in Cardiff, South Wales, as well as regular classes in Baroque and historical dance around the UK and abroad.
Mobile +44 7976 374482
Philippa Waite
+44 29 2049 0680
62 Caer Castell Place
Consort de Danse Baroque
CF3 3PWCardiffUnited Kingdom
See map: Google Maps
Baroque Dance – 12th to Early 20th Century Dance with Philippa Waite
For general information about classes, please see our Information for New Students.
To receive regular e-mail updates about Philippa's classes, please join our mailing list. Alternatively, you can follow our updates by liking our Facebook page.
In addition to her regular classes, Philippa also teaches occasional workshops in the UK and abroad. If you are interested in hosting a workshop we also have information about inviting Philippa to teach.
Wednesdays – Dance Through the Ages
Fridays – Baroque dance
Wednesdays – Dance Through the Ages
From the Middle Ages to the Early Twentieth Century,
including the Elizabethan and English Regency periods.
Albany Road Baptist Church,
Corner of Albany Road & Blenheim Road,
Cardiff
CF24 3NU
Hall access via the green door next to the bus-stop on Blenheim Road.
Beginners welcome
(New students may like to read our Information for New Students)
Wednesdays, 7:00 – 9:00
Autumn Term 2014:
Wednesdays, September 10th, 17th, 24th;
October 1st; November 26th; December 3rd, 10th
New students are welcome to join at any point in the term
and there is no requirement to attend every class.
Fees: Weekly: £8.50 (low income £7.50, full-time students £6.50)
For the term: £56 (low income £49)
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Fridays – Baroque Dance
Baroque dance is a precursor of Classical ballet from the late 17th to
early 18th century, and was danced at royal balls and on the stage.
Occasional Fridays, 7:00 – 9:00
Cyncoed Methodist Church Centre,
Westminster Crescent,
Cyncoed,
Cardiff
CF23 6SE
Beginners welcome
(New students may like to read our Information for New Students)
Autumn Term 2014:
Fridays, September 12th, 26th; October 10th, 24th; November 14th, 28th; December 12th
New students are welcome to join at any point in the term
and there is no requirement to attend every class.
Fees: Weekly: £14 (low income £12, full-time students £10)
For the term: £84 (low income £70)
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Type:
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Historical Dance Classes – Gloucester
Wednesday, 8 October 2014 to Wednesday, 19 November 2014
Venue:
Philippa Waite is well known as a performer and teacher of Baroque dance. She studied with Wendy Hilton and taught for her at the annual Baroque Music and Dance Workshops at Stanford University, USA. Philippa is currently guest teacher of Period Movement and Dance at the Royal Welsh College of Music & Drama, Cardiff, and the Bristol Old Vic Theatre School. She is Artistic Director of Consort de Danse Baroque and as such choreographs in the Baroque style for the company's productions; she also teaches, performs and gives lecture-demonstrations throughout the UK and abroad.
As a choreographer and reconstructor of historical dance, Philippa offers Period Movement and Dance workshops to schools, colleges, universities, conservatoires, musicians and theatre/opera companies, and is available as a consultant/choreographer for theatre, opera, television and film productions.
Consort de Danse Baroque is a historical dance company offering performances, lecture-demonstrations, school workshops, and an annual summer school held in Cardiff, South Wales, as well as regular classes in Baroque and historical dance around the UK and abroad.
Mobile +44 7976 374482
Philippa Waite
+44 29 2049 0680
62 Caer Castell Place
Consort de Danse Baroque
CF3 3PWCardiffUnited Kingdom
See map: Google Maps
Baroque Dance – 12th to Early 20th Century Dance with Philippa Waite
For general information about classes, please see our Information for New Students.
To receive regular e-mail updates about Philippa's classes, please join our mailing list. Alternatively, you can follow our updates by liking our Facebook page.
In addition to her regular classes, Philippa also teaches occasional workshops in the UK and abroad. If you are interested in hosting a workshop we also have information about inviting Philippa to teach.
Baroque Dance & “Dance Through the Ages”
All levels – beginners welcome
(New students may like to read our Information for New Students)
|
St Mary's RC School, Cheltenham Road East, Churchdown, Gloucester GL3 1HU |  |  |  |
The school is located close to the junction with Pirton Lane.
Baroque Dance
Wednesdays, 6:30 – 8:00
Fees on the day: £10 (low income £8.50, full-time students £7.50)
Fees for the term: £54 (low income £45)
Dance Through the Ages
From the Middle Ages to the Early Twentieth Century,
including the Elizabethan and English Regency periods.
Wednesdays, 8:00 – 9:30
Fees on the day: £8 (low income £7, full-time students £6)
Fees for the term: £45 (low income £39)
Autumn Term 2014:
Wednesdays, October 8th, 15th, 22nd; November 5th, 12th, 19th
New students are welcome to join at any point during the term
and there is no requirement to attend every class.
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Type:
↧
Historical Dance Classes – Exeter
Friday, 5 September 2014 to Friday, 7 November 2014
Venue:
Philippa Waite is well known as a performer and teacher of Baroque dance. She studied with Wendy Hilton and taught for her at the annual Baroque Music and Dance Workshops at Stanford University, USA. Philippa is currently guest teacher of Period Movement and Dance at the Royal Welsh College of Music & Drama, Cardiff, and the Bristol Old Vic Theatre School. She is Artistic Director of Consort de Danse Baroque and as such choreographs in the Baroque style for the company's productions; she also teaches, performs and gives lecture-demonstrations throughout the UK and abroad.
As a choreographer and reconstructor of historical dance, Philippa offers Period Movement and Dance workshops to schools, colleges, universities, conservatoires, musicians and theatre/opera companies, and is available as a consultant/choreographer for theatre, opera, television and film productions.
Consort de Danse Baroque is a historical dance company offering performances, lecture-demonstrations, school workshops, and an annual summer school held in Cardiff, South Wales, as well as regular classes in Baroque and historical dance around the UK and abroad.
Mobile +44 7976 374482
Philippa Waite
+44 29 2049 0680
62 Caer Castell Place
Consort de Danse Baroque
CF3 3PWCardiffUnited Kingdom
See map: Google Maps
Dance Through The Ages
From the Middle Ages to the Early Twentieth Century,
including the Elizabethan and English Regency periods.
|
Whipton Community Hall, Pinhoe Road, Exeter EX4 8AD | | | |
(Parking and access also from Whipton Village Road.)
First Friday of the month, 7:30 – 9:30 (holidays permitting)
Beginners welcome, no previous dance experience necessary,
and you don't have to bring a partner!
Autumn Term 2014:
Fridays, September 5th, October 3rd, November 7th
New students are welcome to join at any point in the term
and there is no requirement to attend every class.
Fees per class: £8.50 (low income £7.50, full-time students £6.50)
For further information please contact:
Cathie and Steve Bowness: 07771 934523
or Philippa Waite: 07976 374482
E-mail: philippa@ukbaroquedance.com
Baroque Dance for Court, Country & Theatre
|
St Matthew's Church Hall, Lower Summerlands, off Heavitree Road, Exeter EX1 2LJ | | | |
Saturdays, September 6th; October 4th
Session 1: 10:30 – 12:15, Baroque Dance Steps for Country Dance
Looking at basic steps used in Country Dances in England & France.
Session 2: 1:00 – 2:45, Baroque Dance Technique & Style
Looking at a wider variety of steps found in Court & Theatre dance, and exploring the style in more detail.
These day workshops are suitable for dancers, musicians, beginning Baroque dancers, re-enactors, and those with an interest in theatre, opera, ballet, history or social dancing of the late 17th and early 18th centuries. No previous dance experience necessary, and you don't need to bring a partner.
Please bring a packed lunch if attending both sessions.
1 session: £12 (low income £10, full-time students £8)
Both sessions: £22 (low income £18, full-time students £14)
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Type:
↧
Baroque Dance Classes – London
Saturday, 27 September 2014 to Sunday, 16 November 2014
Venue:
Philippa Waite is well known as a performer and teacher of Baroque dance. She studied with Wendy Hilton and taught for her at the annual Baroque Music and Dance Workshops at Stanford University, USA. Philippa is currently guest teacher of Period Movement and Dance at the Royal Welsh College of Music & Drama, Cardiff, and the Bristol Old Vic Theatre School. She is Artistic Director of Consort de Danse Baroque and as such choreographs in the Baroque style for the company's productions; she also teaches, performs and gives lecture-demonstrations throughout the UK and abroad.
As a choreographer and reconstructor of historical dance, Philippa offers Period Movement and Dance workshops to schools, colleges, universities, conservatoires, musicians and theatre/opera companies, and is available as a consultant/choreographer for theatre, opera, television and film productions.
Consort de Danse Baroque is a historical dance company offering performances, lecture-demonstrations, school workshops, and an annual summer school held in Cardiff, South Wales, as well as regular classes in Baroque and historical dance around the UK and abroad.
Mobile +44 7976 374482
Philippa Waite
+44 29 2049 0680
62 Caer Castell Place
Consort de Danse Baroque
CF3 3PWCardiffUnited Kingdom
See map: Google Maps
Weekends – Baroque Dance
|
Cecil Sharp House, 2 Regent's Park Road, London NW1 7AY | | | |
Nearest tube: Camden Town
Autumn Term 2014:
September 27th/28th
October 18th/19th
November 15th/16th
New students are welcome to join at any point during the term
and there is no requirement to attend every class.
Saturdays:
2:00 – 6:00. Baroque dance workshop.
Each four-hour workshop will focus on the technique & style required for a specific dance from the Baroque period.
Participants will be expected to have a working knowledge of basic steps used in duple, triple & compound-duple time.
Not suitable for beginners.
Sundays:
Session 1: 11:00 – 1:00, all levels, beginners welcome
Session 2: 2:00 – 4:00, intermediate/advanced
Fees:
Fees on the day: 1 session/2 hours £18 (low income £16), both sessions/4 hours £32 (£28)
Special on-the-day price for full-time students:
£14 for one session and £24 for both sessions
Fees with deposit: 1 session £16 (low income £14), both sessions £30 (£26)
This price requires a deposit of £5 per class for a minimum of three classes in the term.
The balance to be paid on the day: 1 session £11 (£9), both sessions £25 (£21)
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Tuesdays – Baroque Dance, All Levels
|
St John the Divine Community Centre, Frederick Crescent, Kennington SW9 6XN | | | |
Nearest tube: Oval
Or take the 185 bus from Victoria to Camberwell New Road
Tuesdays, 7:00 – 8:30
Beginners welcome
(New students may like to read our Information for New Students)
Autumn Term 2014:
September 30th; October 7th, 14th, 21st; November 4th, 11th, 18th
New students are welcome to join at any point during the term
and there is no requirement to attend every class.
Fees: Weekly: £14 (low income £12, full-time students £10)
For the term: £84 (low income £70)
For further information, please contact Philippa Waite,
Phone: 07976 374482
E-mail: philippa@ukbaroquedance.com
Type:
↧
The Masters’ Favourites – Anne Daye
Saturday, 7 February 2015
Saturday, 9 May 2015
Anne Daye teaches and publishes widely on 16th - 19th century dance, with an extensive experience of leading summer schools and workshops. She is Lecturer in Dance History at Laban and also visiting teacher of historical dance at Trinity College of Music and RADA. Anne is Chairman of DHDS. Her doctoral thesis on the Jacobean masque drew upon research in dance documents, music, history, literature and design.
Saturdays 2–6 pm
Popular Renaissance balletti (1560–1614), each one described by several masters, drawing on the accounts by Caroso, Negri, Santucci, Arbeau and the Vatican manuscript.
Cost: £10 per workshop; £5 for each half of the regency workshops. Booking is not required.
There will be a break during the afternoon for tea and coffee.
Participants are advised to wear loose comfortable clothing and shoes with a soft, flexible sole.
Period:
French Renaissance
Dances from Arbeau
Type:
Workshop
A class is a session of an hour or two
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A Dickensian Christmas
Saturday, 17 January 2015
Bedford Early Dance and Music organises historical dance workshops and social events in and around Bedford.
Bedford Early Dance and Music
01234 853637
35 Haycroft
c/o David Parsons
MK43 9PBWootton BedfordUnited Kingdom
See map: Google Maps
3-7 pm
Joint event with Bedford Gallery Quire
A convivial Christmas party inspired by the writing of Charles Dickens, jointly organised by Bedford Early Dance and Music and Bedford Gallery Quire. It will include a programme of dancing, carol singing and entertainment. Family and friends welcome. Details available later in the autumn.
Period:
Type:
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15th Century Dance with Jorgen Schou-Pederson
Friday, 10 April 2015 to Sunday, 12 April 2015
Jørgen Schou-Pedersen (b. 1952) studied the Science of Music at the University of Copenhagen. He has studied the history of dance with many of the leading experts and he has also researched the primary sources in the field of the history of dance himself. He carries the teaching certificate from The Dolmetsch Historical Dance Society where he is now a teacher. He also teaches historical dance at the National Theatre School and the Royal Music Conservatory in Copenhagen. He has given courses in many European countries, choreographed for stage, film and TV, and he runs three performing dance groups.
A practical course in 15th Century Dance with emphasis on style and presentation with Jorgen Schou-Pederson at Belsey Bridge Conference Centre
Set in a peaceful rural location in Ditchingham near Bungay in Suffolk., the course will run from 5.30 pm on Friday 10th April to 4 pm on Sunday 12th April. Saturday afternoon will be free.
Accommodation is for two nights with all meals included.
Hosted by Norwich Historical Dance in collaboration with
The Capriol Society Further information from : 01603 434912 Gill Ward, 35 Harvey Lane, Norwich NR7 0BZ Email: gill.ward01@virginmedia.com
Period:
Quattrocento
Dances from the 14th century, e.g. Domenico di Piacenza
Type:
Workshop
A class is a session of an hour or two
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Belsey Bridge Conference Centre
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Favoriten Ball , Versailles
Leben Sie ein aussenordentliches Ereignis, im epochen Tracht !
Am Samstag den 22 november wird , in Versailles, in der Spiegel Galerie vom ‘Hôtel de France’,
im früherlichen Haus vom Colbert, der Marquis von Villacerf, im epochen Tracht , der Favoriten Ball stattfinden.
Vom Ball de Versailles eingerichtet, der für die höchste Qualität seiner barocken Bälle und historischen Ausflüge, sehr berümt ist,
wird der Favoriten Ball allerlei Leute empfangen : Leute die sich um den historischen Tracht im Frankreich und Europa kümmern ,
Tanz Meister, Fechter und auch viele, die so gern die Atmosphäre des 17 und 18 ten Jahrhundert haben.
Schatten frauen, alle Favoriten hatten doch viel Geist und Influenz . Sie haben den Hof stark beeinflusst, die Künste und das Literattur beschützt.
Madame de Lavallière, Madame de Montespan, Madame de Pompadour, Madame du Barry waren die Favoriten des König.
Viele Belunstigungen haben sie im Hof eingerichtet.
Im Name aller diese Favoriten herstellt der Ball von Versailles für eine Nacht, einen Bal wie im königlichen Hof wieder:
barocke Belebungen, mit Tanz meister, artistische Fechtkunst…und auch salzig und süss Buffet, Champagne…
Die Epoche des Trachtes : 1680-1780
sur réservation : lebaldeversailles@gmail.com
Nur mit Buchung möglich
Lieu : Hôtel de France - 5 rue Colbert - 78000 Versailles
Preis : Eintritt 95 €
https://www.weezevent.com/le-bal-des-favorites-en-costume-grand-siecle
Beherbergen :
Wenn Sie im Hotel de France schlafen möchten,
dann bekommen Sie einen direkten Zugang zu dem Ball Saal : ein besonderer Preis BDV ist für Sie.
Doppelt Zimmer :119 Euros
Familien Zimmer, für 4 Personnen 169 euros
Der Früstück kostet 13 euros pro Personne und pro Nacht (im Preis nicht eingesclossen)
hotel-de-france-versailles@orange.fr
Period:
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Historisches Tanzvergnügen zum Kennenlernen
Friday, 22 May 2015 to Monday, 25 May 2015
Venue:
Beate Knobloch studierte Blockflöte und erhielt ihre tänzerische Ausbildung von namhaften
Spezialisten wie B. Niedecken, M. Lehner, A. Francalanci, B. Segal, L. Busch u. a.; Lehraufträge an der Musikhochschule Würzburg und in St. Gallen; Leiterin von Tanz- und Instrumentalkursen; Mitglied verschiedener Ensembles; Rundfunk-, Fernseh- und CD-Aufnahmen.
Willkommen zu einem Wochenende mit fröhlichen, englischen Countrydances aus dem 17. und 18. Jahrhundert – Tänzen, die schon damals mit ihren abwechslungsreichen Raumfiguren, geselligen Formationen und wunderschönen Melodien wahre Begeisterungsstürme hervorriefen – und die keineswegs nur mit langsamen, steifen und gemessenen Schritten getanzt wurden!
Bitte mitbringen: leichte Tanzkleidung (keine Kostüme)
Teilnehmerkreis: Eingeladen sind alle, die einen Sprung in die Geschichte wagen und einen heiter höfischen Tanzstil kennenlernen wollen. Die Tagung wendet sich besonders an diejenigen, die noch keine oder nur wenig Erfahrung mit historischen Tänzen mitbringen.
Kinder ab 12 Jahren sind willkommen, wenn sie am gesamten Kurs teilnehmen.
Flyer http://www.burg-rothenfels.de/uploads/tx_brbildungsprogramm/515_barocktanz.pdf
Anmeldung:
http://www.burg-rothenfels.de/bp.html?&cHash=a56eecae937ace6d60a07aaef77efd48&vuid=252
Type:
Workshop
A class is a session of an hour or two
↧
Historical dance lessons, The Hague (16th - 19th century)
Sunday, 14 September 2014 to Saturday, 15 November 2014
Venue:
- Group
- Playford
- 19th century
- Quadrilles
- Regency
- Waltz
- mixed
Submitted by HistoricalDance... on 3 May 2012 - 6:04pm
Bi weekly court dance lessons, on saturdays or sundays (or both) given by Erwin Mulder at sporthal hogeveld in The Hague.
Current dates 2014:
14 and 28 September, 5 and 18 October, 2 and 15 November 2014
Time: 13-16u
Price: All 3 saturdays or sundays; €40,-
All 6 days of the series; 79,-
Lessons in 2015 will probably start on 18 January 2015, then alternating every 2 weeks on saturday then sunday.
A try out lesson is free, of course!
More info on: www.tourdemains.nl (sorry only in Dutch)
Contact us by email: info@tourdemains.nl
Type:
Period:
Level:
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Stage de danse Baroque-La Nouvelle Gaillarde par Mr Pécour (1709)
Saturday, 25 October 2014 to Sunday, 26 October 2014
Venue:
| Attachment | Size |
|---|---|
| Stages oct-dec 2014 - Cie Fantaisies Baroques.pdf | 131.03 KB |
Irène Feste and Pierre-François Dollé are both professional dancers and teachers specialized in historical dance and especially in french Renaissance, baroque and french first Empire.
The company Fantaisies Baroques is composed by dancers, musicians, singers and comedians wich are all passionated by those periods and willing to create new forms with historical material.
We're available for any question or request.
Compagnie Fantaisies Baroques Irène Feste, Pierre-François Dollé
0033 6 89 84 99 34
5 bis, rue de la Ferme
92100Boulogne-BillancourtFrance
See map: Google Maps
- Teacher
- Performer
- Group
- Organizer
- Early Baroque
- French Renaissance
- Rococo
- Playford
- Commedia dell'Arte
- Baroque
- 19th century
Submitted by Fantaisies Baroques on 6 January 2012 - 12:21am
Stage de danse baroque avec la Cie Fantaisies Baroques.
Le samedi 25 octobre de 13h à 16h
Le dimanche 26 octobre de 10h à 13h
Lieu : Micadanses 15, rue Geoffroy L'Asnier 75004 Paris, Studio So Schnell
Métro St Paul (L1) ou Pont Marie (L7)
Tout niveau
Merci de s'inscrire au +33 (0)6 89 84 99 34 ou contact@fantaisiesbaroques.com
Nous travaillerons la Nouvelle Gaillarde par Mr Pécour, après un échauffement-relaxation et un apprentissage des pas de bases de la Belle-Danse.
Soyez les bienvenus !
Feel all welcome !
Pierre-François Dollé
Level:
Type:
Workshop
A class is a session of an hour or two
Period:
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