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The Spanish Spirit

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Sunday, 5 August 2018 to Saturday, 11 August 2018

Helena Kazárová

Helena Kazárová, Ph.D. specialises on the dance and movement culture of the past centuries both practically (reconstruction and re-enactement of the dances from written and graphic notation, choreography in the style of the chosen period, Baroque gestures) and theoretically (author of two books and numerous articles and studies .

She graduated from the Academy of Performing Arts in Prague (Dance Theory and History), danced for some years as a professional dancer and then started to teach dance history, theory and aesthetics. Her theoretical research soon found results in practical reconstructions and presentations of historical dances and at first she concentrated on Baroque culture mainly. She studied and worked with international specialists in this field (B. Massin, M.-G. Massé, D. Wortelboer, E. Greene etc.) and especially with Marc Leclercq, with whom she collaborated on  significant opera projects (Castor et Pollux of Rameau and Sub olea pacis et palma virtutis of Jan Dismas Zelenka) in the position of assistant of choreography. Since then, she has created and reconstructed many Baroque, Renaissance and Pre-Romantic dances for various prominent music and theatre festivals (Japan, Lithuania, Poland, Austria, Germany, Hungary) and also for ballet companies (Entrée d´Apollon of Feuillet and Pécour for National Theatre Ballet in Prague and Brno). From 1997 she is the artistic leader of the Hartig Ensemble – Dances and Ballets of 3 Centuries .

For many years she works also with the singers and actors on the period acting techniques (gestures and stage movement) of the 17th and 18th century repertoire and some of the operas she has also directed.  She collaborated with film and TV as a coach and advisor of period movement and choreographer (Interlude in Prague, dir. John Stephenson, Stilking Films - 2016, BBC 2 / Redgrave pictures document on Mozart´s Don Giovanni premiere in Prague Rolando Meets Don Giovanni with R. Villazon, dir. Guy Evans – 2014, The Skirt-Chasers of Jiří Menzel, This Hot Summer in Marienbad of Milan Cieslar, film Bathory of Juraj Jakubisko, etc.).

She is a Professor at the Academy of Performing Arts in Prague, where she reads lectures on dance and ballet history, dance aesthetics and teaches early dances. She founded also the Association of Historical Dance in the Czech Republic and teaches at international summer academies, she is a member of the European Association of Dance Historians. As an expert and researcher on the Baroque, Rococo and early 19th Century culture she gave papers at many international conferences (most recently 2014 Stockholm University, 2013-15 Oxford University, 2016 Rothenfels, Germany, 2017 Dresden etc.).

Hartig Ensemble - Dances and Ballets of 3 Centruries

Hartig Ensemble is a chamber footloose  company of professional dancers, who devote themselves to re-enactement of „dances of three centuries“ (that is dances from early Renaissance to Pre-Romantic era) under the artistic leadership of Helena Kazárová. The company collaborates very closely with Department of Dance of Academy of Performing Arts in Prague (AMU), housed at the Baroque Hartig Palace at Malá Strana (Small Quater) in Prague, and here the ensemble also rehearses.

Repertoire

The repertory of the ensemble covers both the ballroom dances and the virtuoso theatre solos and duets from the 16th to the beginning of the 19th Centuries. As first in Czech Republic, Hartig started to study Baroque dances from the authentic sources - that is from the Beauchamp-Feuillet notation and soon reached the international professional level in this field.

Hartig Ensemble is often invited to dance at experimental performances at the Baroque Theatre of Český Krumlov Castle and at other historical sites in Bohemia and abroad (e.g. Austria, Poland, Lithuania, Slovac Republic, Japan). Hartig performs with foremost Baroque orchestras (Musica Florea, Capella regia, Ensemble Inégal, Collegium 1704, Hipocondria Ensemble, Hofmusici and others) conductors and in case of chamber programmes also soloists (Edita Keglerová-harpsichord, Julie Braná-flutes and others). In special types of cultural venues, also recorded music is used.

Projects and Festivals

Since the year 1997, when Hartig ensemble was founded by Helena Kazárová, the dancers have been engaged, (in addition to their own concert programmes, e.g. Rendez-vous with Madame Pompadour), in many prestigious theatre projects. Let us name for instance the opera Castor et Pollux of J.Ph. Rameau (Estates Theatre in Prague), monumental work of J.D. Zelenka Sub olea pacis... (Wladislaw Hall of the Prague Castle) and most recently also the contemporary world premiere of the magnificient coronation opera Costanza e fortezza of J.J. Fux.

Hartig Ensemble danced at to many festivals (e.g. International Music Festival Prague Spring, Dvořák Festival, Europamusicale, Europa-Mitte, Theatrum Kuks Festival, Bach Festival, Haydn festival, Smetanova Litomyšl Opera festival, Tanztage Bad Ischl, Barokowe Eksploracje and others).

Projects and cooperation with Musica Florea

From the year 2007 Hartig Ensemble cooperates with Musica Florea orchestra and conductor Marek Štryncl on special projects, re-enactement of forgotten pieces like the Rococo ballet from Český Krumlov Castle archive La guirlande enchantée of Joseph Starzer, Gluck´s La Danza, Händels Baroque opera-ballet Terpsicore, Dioclesian by Henry Purcell and most recently the above mentioned opera Costanza e fortezza of J.J. Fux, tragic „ballo pantomimo“ of Gasparo Angiolini Didone abbadonata from 1766, opera Armida of Giuseppe Scarlatti (also 1766), and finally the only ballet of Ludwig van Beethoven Creatures of Prometheus, op. 43 from 1801 (premiered in 2016). Last programm was be devoted to Mozart (Mozartiana, 2017).

Film, TV and other activities

Hartig dancers act also in film and TV productions: Bathory (Dir. J. Jakubisko), Hot Summer in Marienbad,(Dir. M. Cieslar), Roberto Villazón meets Don Giovanni (BBC-Redgrave Pictures, Dir. G. Evans), Story of one family opera (režie M. Suchánek), Princess and the Sribe (Dir. K. Janák), An Interlude in Prague (Dir. J. Stephenson) and  they take part in various educational programs.

 

 

Hartig Ensemble / Helena Kazárová

+420 604314255
Malostranské nám. 13 Academy of Performing Arts in Prague
118 00Praha (Prague)
Czech Republic

Jane specialises in Period Opera, Theatre and Dance. She is available as a stage director, choreographer, dance teacher and baroque gesture coach. She is also happy to work with groups to create new performance programmes and re-creations. Jane has MA degrees from the University of Cambridge and the University of London, and has worked extensively in Europe since 1984. Recent research interests include Purcell’s stage works, and the opera-ballets of Campra.

She has both directed and choreographed many operas, including Campra’s “L’Europe Galante”, Rameau’s “Anacréon”, and Purcell’s “Dido” and “King Arthur”, and has staged works by Handel including “Ariodante”, “Serse” and “Rinaldo”. Jane also re-creates and stages rarely performed court entertainments from the past – such as the Stuart Court Masques "Lord Hay's Masque, “The Masque of Gray’s Inn” and “The Lords’Masque”;  the Queen Christina ballet “La Naissance de la Paix”;  and the Lithuanian Jesuit Masque “Sylviludia”.

As a choreographer, Jane has worked with many early music specialists, including Philip Pickett’s New London Consort, Steven Stubbs’ Tragicomedia, Andris Veismanis and the Latvia National Opera, and the Drottningholm Baroque Ensemble.

Timedance is Jane’s performing group; productions include a programme on the life of baroque ballerina Marie Sallé; "Mr. Pepys and Mr. Pembleton"; and a baroque ballet to Telemann's "Wassermusik".

Jane is also dedicated to the training of young, emerging performers, and over the years has made long collaborations with University groups in Tartu, Uppsala, Lund, Vilnius and Wroclaw.

Current work includes performance projects with the Cantigas de Santa Maria, in Estonia and Poland; and work on Siglo de Oro and Escuela Spanish Dance with the Hartig Ensemble in Prague and Cesky Krumlov.

Jane is the author of “The Renaissance Dance Book”.

Jane's Linkedin page can be found on

http://uk.linkedin.com/pub/jane-gingell/46/47/499

 

THE SPANISH SPIRIT:
a Hartig Ensemble Summer School in picturesque Cesky Krumlov.

Jane Gingell and Konrad Przybycien teach Spanish Escuela Bolera Dance, and Helena Kazarova and members of the Hartig Ensemble teach Renaissance and Baroque dances in the Spanish Style.

The course takes place in the Study Centre of the Cesky Krumlov Castle complex, a UNESCO World Heritage Site.

It begins on the Sunday evening with social dancing, followed by six-hour teaching days from the Monday to the Saturday.

The course will cater for all levels, with parallel classes.

The course fee is 5000 CZK, including a tour of the Castle and the Baroque Theatre, but excluding accommodation.

Rooms are available in the Study complex, or students may arrange their own accommodation outside.

For more details, and application form, contact Helena, or mail to info@hartigensemble.cz

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